The Royal Republic Untitled (Bunting 1), 2003

Jost Munster, Untitled (Bunting 1), 2003

The Royal Republic 'The Abdicating King', 2009

James Brooks, 'The Abdicating King', 2009

The Royal Republic

DJ Roberts, "A dozen done by hand", 2009

The Royal Republic

Sam Herbert, "Modern Major General", 2008

The Royal Republic

Phil Coy, "Regency Refracted", 2009

The Royal Republic

, "Photographs of HM Queen", 1997

The Royal Republic

Mark Molloy, "Master Piper's Folly (A temple of neo-British worthies)", 2009

The Royal Republic

Pat O'Connor, "Put the Edge in Privelege", 2009

The Royal Republic

Greg Rook, "The Poachers", 2009

The Royal Republic

Pat O'Connor, "Sports Day Mum's race", 2006 - 09

The Royal Republic

15 May—28 Jun 2009

Wed—Fri 12—6pm
Sat—Sun by Appointment

artists

Boo Sze Yang, DJ Roberts, Greg Rook, James Brooks, Justin Mortimer, Keith Coventry, Mark Molloy, Phil Coy, Sam Herbert, Jost Munster

MASTER PIPER is pleased to present The Royal Republic, a group exhibition, which explores the relationship between the British Monarchy and contemporary society within the United Kingdom, and further Commonwealth.

The show utilises the United Kingdom’s constitutional democracy as a departure point, in an attempt to analyse the Royal family’s position of historic privilege in relation to the common man.

Over the past decade, it could be said that the British Monarchy has been forced to justify and realign its hierarchical position in relation to an evolving contemporary society. These attempts at modernisation or redefinition have been observed through actions such as: aligning themselves as an environmental conscience, allowing increased and unprecedented media exposure, or even the production of lifestyle organic food products. However it could be said, that consciously revealing a personable openness to the general public paradoxically undermines their distinct historic position, bringing them more in line with their ‘subjects.’

The Royal Republic consists of 11 artists working across drawing, painting, photography, sculpture, sound, and video. The very nature of a group show format allows for the democratic process to address this social condition. The exhibition is not intended to be anti-establishment and overtly politicised, furthermore, it does not have a consensus of political beliefs. Instead, through posing such questions as: What is the social ‘need’ of the Royal family? Is the Monarchy an essentially traditional institution, thus, can or should it be modernised? -The Royal Republic aims to highlight some of the idiosyncratic social paradoxes currently at work within the United Kingdom and further Commonwealth.

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